Modified from Patrick Gainer's formulas [see web site]
I have no idea of the keeping properties of these developers once they are mixed up, but they are so easy to mix that there is really no excuse not to mix fresh.
Chemicals: all are available from the Photographers Formulary
Sodium Metaborate * 8H2O [a.k.a. Kodalk]
Ascorbic Acid [NOT the sodium salt!] [can get at health food stores also, NOW brand is good][Or from the Formulary]
1% Phenidone dissolved in alcohol [either denatured or 90+% isopropyl, KEEP AIR OUT, top off with "dust-off" to replace oxygen in air] This will keep for months if you follow this method.
Potassium Bromide
Film:
Deionized water | 1 liter |
500 ml |
250 ml |
Sodium metaborate | 8 g |
4 g |
2 g |
Ascorbic Acid | 2 g |
1 g |
0.5 g |
1% phenidone | 10 ml |
5ml |
2.5ml |
Develop using the times for D-76 [35mm Tri-X = 8 minutes @ 68F]
Paper: [~3x above, plus bromide]
Deionized water | 1 liter |
500 ml |
250 ml |
Sodium metaborate | 24 g |
12 g |
6 g |
Ascorbic Acid | 6 g |
3 g |
1.5 g |
Potassium Bromide | 0.5 g |
0.25 g |
0.125 g |
1% phenidone | 32 ml |
16 ml |
8 ml |
Develop for 3 minutes @ 68F
NOTE: You can substitute an equal weight of Sodium Carbonate [washing soda available in grocery stores] for the Sodium Metaborate ONLY in the paper developer. More energenic for deeper blacks.
Glass Plate Developer
Deionized water | 1 liter |
500 ml |
250 ml |
Sodium metaborate | 6 g |
3 g |
1.5 g |
Ascorbic Acid | 1.5 g |
0.75 g |
0.37 g |
Potassium Bromide | 0.5 g |
0.25 g |
0.125 g |
1% phenidone | 15 ml |
7.5 ml |
3.7 ml |
This developer can be used to develop the Seawater Plates or normal photographic paper for lower contrast needed when loaded into a camera. Grade 2 Arista RC Glossy paper is ISO 2 under these conditions and closely mimics the look and feel of the seawater plates (scan into a computer to reverse the negative).